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3 Days of Memory Drawing
One of the tasks Père Lecoq set before his students was the learning of pictures by heart. It was an intermediate exercise for learning how to seize upon the fleeting images in nature. Why? Because pictures are the same tomorrow as today and can be learned at leisure. They can then be easily compared with the drawings and paintings done from them. It is not so with nature.
On the front page of this site I make the following statement: “Every time you look at your drawing you must remember your subject.” It’s not a new revelation, but one that representational artists have understood for centuries. To be of good use the memories must be accurate, all the more when the view is brief. So stop, and take a better look.
If you were asked to draw a picture of the sculpture shown above, could you do it? What if I told you that you could only look at it for awhile, and then you had to draw it from memory – could you still do it? A contest set up by Académie des Beaux-Arts in 1852 proved that it was possible, “with an astonishing exactness of imitation.”